Beyond HSX and the Oscars: Prediction Markets A Valuable Tool for Decision-Making

HSX traders did well.  They correctly predicted the winners for seven of the eight categories for which Award Options could be traded.  The only category they got wrong was Best Director.  HSX traders predicted the prize would go to David Fincher, for The Social Network.  The Oscar went instead to Tom Hooper, for The King’s Speech.  Interestingly, Tom Hooper actually led the category for most of the trading period.  It was only in the last few days that David Fincher pushed ahead.

So, is this an advert for HSX, or its phenomenal track record? Not really.  HSX is merely a prop.  The purpose of the two blogs, is to demonstrate that in situations where uncertainty and risk are present, there are better ways of making decisions than asking a “so-called panel of experts,” or asking the man or woman with the “biggest stick” to make the call. 

Divergent opinions carry information, especially when outcomes are uncertain, as is the case with introducing new products, forecasting sales, or formulating a plan to best manage urban traffic congestion.  When this divergence is suppressed by authority, or subjugated by experts, companies and organizations actually make riskier and poorer quality decisions.  

No wonder smart companies and organizations like Motorola, GE, Google, Best Buy, and Iowa Electronic Markets use some form of prediction markets, or group decision-making platform (like the Delphi technique, or the Nominal Group Technique) to harness and retrieve valuable information that lies scattered in various corners of the company, or among its many stakeholders.  And more importantly, they use it to stimulate consensual decision making, not by squashing divergent viewpoints, but by offering them an opportunity to test themselves against the opposition.

So, is the crowd always right and do the fittest ideas always get rewarded and selected for implementation?  Not always.  But if diverse thinking is encouraged, and diverse thinkers are allowed to collaborate in a decentralized manner, independent of authority, then their collective ideas and recommendations are likely to best those of a single person, the proverbial white knight CEO, or a small group of people, such as the Senior Leadership Team.

A word of caution though.  For prediction markets and other group-decision making platforms to flourish, experts and authority figures in companies/organizations need to experience a shift in mindset, from:

  • focusing on “knowing all the answers” to “asking the right questions”
  • an obsession with “gathering mountains of information” to “analyzing data in creative ways” 
  • a hierarchical approach to “making decisions” to “guiding decision making.”

Hollywood Stock Exchange Traders Predict Oscar Winners

Feb 27 is Oscar night.  Pundits have been busy predicting outcomes for the last several weeks now.  I am sure you have a few of your own, and may even have bet a few quid with friends, family, and colleagues.

But have you checked out the Hollywood Stock Exchange’s (HSX) predictions?  The HSE is a digital community that allows members to buy and sell “stock” in the nominees.  Each nominee is given a stock symbol.  Community members trade the stocks they like and can therefore bid up, or down, the price of various nominees, based on their beliefs and preferences.

So, who’s leading the pack?  Around 14:00 EST (Feb. 27), the “stock price” leaders for Best Picture, Actor, Actress, and Director, and hence the favorites to win are:

  • Best PictureThe King’s Speech; ticker symbol A1PTKS, has the highest quote, selling at H$17.49.  Yup, the HSE has its own currency!  The closest competitor – The Social Network (A1PTSN) – is trading at a distant H$2.42.  Close to a sure bet, would you say?
  • Best DirectorDavid Fincher (A1DDF1) for The Social Network, trading at H$13.39.  The closest competitor – Tom Hooper (A1DTHO) for The King’s Speech, trading at H$8.43 (though on a downward tick).
  • Best Actress – This one seems to be a no-contest.  Natalie Portman (A1CNPO) for the Black Swan is way ahead of the pack; trading at H$20.16 and rising.  All other contenders are trading in single digits.
  • Best Actor – is shaping up as a no-contest as well.  Colin Firth (A1ACFI) for his role in The King’s Speech, is trading at H$22.19, and rising, and commands a huge lead over his competitors.

There is still time to play and win; play money that is.  Those who successfully pick winners will get a play money dividend of H$25. Either way, whether you play or merely watch tonight, I will be back tomorrow comparing the actual results against predictions.  The HSX traders seem to be very sure of themselves, they are not hedging their bets.

  

Consumer-Created Ads Cross The Chasm

Consumer-generated ads may have started off as a curiosity, as light-hearted fun.  But they have crossed the chasm and user-generated content
(UGC), an umbrella term for all consumer-generated material, including
ads, is serious business at a large number of companies today.  Its
not just Frito Lay, and Pepsi; companies like Coke, HP, and Best Buy
have also bought into their uncommon appeal and engagement potential. Across the board this buy-in is being supported by managerial commitment
and dedicated resources; exactly how companies
would support core business practices, like IT and Purchasing.

Two key factors lend credence to this point of view.

  • First, the amount of effort – structure, rigor, and resources – to
    create, select, and air ads has increased significantly, at some of the
    more established players like Frito Lay.
  • Second, intermediaries like MOFILM have grown in recent years, to enable implementation at companies that would like to leverage the power of consumer-created ads, but without making significant investments of their own.

Consider first the effort factor.  A brief description of the platforms and processes deployed by Doritos and Pepsi Max to create the commercials that were aired during Super Bowl XLV follows:

  • A dedicated website invited ad submissions from Doritos and Pepsi Max fans in the second half of 2010.
  • Details regarding the prize money and the airing of the
    commercials were explained and presented on the landing page itself. 
    Both Frito Lay and Pepsi recognized the power of prize money, and
    correctly so.  The 2011 edition promised $25,000 to the five finalists
    for each brand, and airing of the commercial for the top 3 for each
    brand (a total of six).
  • In addition, they also promised monetary incentives for
    winning the USA Today Ad Meter contest; $1 million to the winner,
    $600,000 for second place, $400,000 for third place, and an additional
    $1million to all three winners if the two sponsors swept the top 3
    spots.
  • All contest rules were clearly explained, including the format of
    the submissions, the number of submissions per person, and the
    submission deadline.
  • Finally, judging criteria, selection of finalists, and voting
    procedures to determine which ads get aired were also painstakingly
    explained.

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In short, the two sponsors approached the contest exactly as they would
any other formal business process.  Small-scale experiments, or novel
indulgences, don’t get this kind of management attention and/or support.

But, what if a company lacks, or is unwilling to invest in, a formal structure, resources, and/or
knowledge to implement programs or contests for developing
consumer-created ads?  That’s where organizations like MOFILM come in; co-creation intermediaries.

MOFILM offers a platform for the co-creation of video content.  It helps large brands and social causes
recruit the services of creative and passionate people from around the
globe to create video and film content for a variety of applications and
devices, including mobile devices.  The company usually stages its
global competitions to coincide with world-renowned international film
festivals, like New York, Cannes Lions, and London Film Festival.  The company carries the support of several marquee names from the world of cinema; heavyweights like Robert Redford and Spike Lee.

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Even a cursory look at their clients – Axe, Lego, Hindustan Times,
Persil, OMO, Haagen-Dazs, Nokia, Surf – reinforces the principal thesis of this blog.  UGC has crossed the chasm and is not just
the preserve of a few companies tinkering at the fringes.  Consumer-created ads are core business practice at a
large number of companies.  And their numbers are growing every day.